"I am at a loss to conceive how a man should permit himself to write anything that would be truly disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man."
Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

30 January 2014

Put a Stake In It, PLEASE

It’s over! It’s finally over! It’s over for good!
Wait, maybe not? Oh, Renfield save me…

Previously, I talked a bit about what prevented me from doing weekly recaps of Dracula, and it basically came down to how appalling the series became, and so quickly, both in terms of predictable tropes and character assassination.
Here’s the thing, though. I can move past the predictability and utter nonsense that was the plot of this series -- and only because I’ve become so jaded and cynical in my belief that no one cares about even trying to be original anymore; it’s all a facade, this trend of doing a ‘new twist’ on classics in an attempt to make something seem more 'original' than 'adaptation.' Except it’s not original when you simply borrow from other sources and mash things together. It’s like trying to fit puzzle pieces of different puzzles together and expecting a full picture. But I digress. I’ve become accustomed to this approach, so that part I can get over...ish.
What really astounds me (and confuses me on the part of people who actually seem to like the show) is how the creators of the show gave the audience a swath of characters who are all narcissistic, immature, bitchfacey douchewads with no ability to act like mature, responsible, compassionate adults for more than an episode. By the end of the series every single main character, with the possible exception of Renfield, is deplorable. There’s no one to root for, unless you enjoy rooting for self-involved sycophants and whiner babies.
(Granted, Dracula isn’t the only show with characters like this, but it is the most heavily populated…)

It's difficult to find vampires more narcissistic than The Originals family, but Dracula made ALL its characters as bad as they are...


These characters are taken from a novel wherein there is one wretched, narcissistic jerkface. Just one. And despite the fact that said novel is named for him, he’s not actually in the book a whole lot. This is where my righteous indignation over character assassination shades into outright fury. Not only did you do a mash-up of other stories to craft your plot for the season, rather than maintain any semblance of paying homage to the source material, you also managed to completely mangle every single main character. Not just mangle by giving them attributes and/or flaws and/or character arcs that have nothing to do with how they’re actually written, but turn them into genuinely dislikable people. All of them.
I’m just glad Qunicey was nowhere to be found in this show.
If the series does get renewed, it’ll be interesting to see how they move forward with these characters. And by ‘interesting’ I mean ‘good luck getting any of your audience to give a crap about anyone,’ because there’s a difference between having characters that are flawed and make bad choices, and just having a group of blundering assholes.

12 January 2014

Dracu-zzzz

So back in October, I intended to chronicle my MST3K-esque journey watching Dracula.
Unfortunately life (and NaNoWriMo) intervened for a little while, and while I do have recaps of episodes 2 and 3, by the time I got to episode 4, a disturbing trend emerged (and no, I'm not talking about the continued character assassination of every canonical individual, which is still happening). The trend became this:
Character A does something to or for Character B.
Character B turns into a whiny bitch about it.
Character A apologizes, makes amends, or turns into a whiny little bitch, too.
Lather, rinse, repeat.

Just sit and mope with me, Renfield. I'm too emo to do anything productive.

We're now just past episode 8, and this is still happening. More than global energy subplots involving mysterious sociopolitical/religious orders and tragic pasts, more than the hunt for Dracula (Vlad Tepes, Vlad the Impaler, who we have to repeat all three titles every time we mention his name in case someone didn't know who he was) by a clandestine society of rich white guys who get a woman to do all their heavy duty fighting, more than the potentially emotionally engrossing story of young people exploring their feelings, desires, and sexuality in a healthy, honest way, the show has pretty much turned into a (really bad) soap opera with a vampire. And Dracula is pretty much the king of whiny, bitchy, tantrum-throwing moments.
It's really difficult to even feign interest in a series when every character is horrendously unlikable -- and not because they're wicked or evil or devious, but because they're selfish, whiny, assholes incapable of behaving like rational adults for more than a single episode arc. If I wanted to watch crappy daytime TV I'd watch crappy daytime TV. Don't try and feed me that swill on primetime network television and act like I'm supposed to think it's engaging.

Once you have sex with Mina, will you get rid of the ascot and ridiculous facial hair?


Aaaaaand that is why my next post is going to be dedicated to the complete opposite of Dracula: the utter magnificence that is Sherlock (whose main character is frequently a selfish, whiny, asshole... and yet you love him).

13 October 2012

Facegrabbing Mother

Behind on book reviews, I know. I would blame being out of town enjoying life, stressing over submission deadlines, and fighting a nasty cold... but really: Northanger Abbey is just boring. I'm reminded of why I've never made it through this book before. I'm about thirty pages in and nothing interesting has happened. Nothing. There's beautiful prose assessing society and describing characters, but NOTHING has actually HAPPENED. I hate to give up, especially on Austen, but I am damn bored with this. I am, however, going to read The Vampyre because it actually is only about thirty pages. So look for that on Tuesday.

If book reviews aren't your thing, or you're desperate to read some of my stream of consciousness ramblings, look no further than the below: my live tweeting of watching Alien last night. Just scroll all the way down to the bottom of the entry and move up (I could have figured out how to do this chronologically but right now I'm just happy technology worked with me long enough to paste all the tweets -- we have not been friends this week).


This concludes the live tweeting of . Thank you for your patience. I kind of want to rent Aliens now...
SERIOUSLY?!? Did the cat hide in the hyper sleep pod when no one was looking? 
If the cat did not just die from science, I'm having words with Ridley Scott. 
How did I never realize Ripley was singing "You Are My Lucky Star"?!?  
Sorry, Ripley, but Eddie Dean kicked ass in a gunfight naked. You have forgotten the face of your father.  
Ripley: Convenient spacesuit is convenient. It would be highly un-feminist of me to kill this bitch in my undies. 
Me: How did the strobe lights start again? Facegrabber: They follow me everywhere. Be glad dubsteb doesn't as well. 
Ripley: Sexy undies make me breathe heavily... wait... no... Facegrabber: Stowaway! Ehehehehehehe! 
Ripley: It's ok, Kitty. We safe now. Kitty: Riiiiiiiight. Ripley: I'm just gonna strip for hyper sleep. 
Ripley: Look at the pretty explosion... again... and again... and again... sleepy now. 
Ripley: Time to run! Oh... KITTY! Let's go kitty. Only one minute left!
As far as atmosphere goes, this sequence is amazing. Long dark corridors. Bursts of steam. Strobing lights. Flamethrower. Alarms.
Ripley: Damnit, five minutes left. Not enough time. Mother, help me! Mother: You killed my robo-friend. Fuck you. 
Hey Ripley, you forgot you precious kitty. The facegrabber will now try to PETA your ass. 
Ripley: Time to escape... into the facegrabber's nest. Whoops. Tom Skerritt: kill... me... Ripley: No probs. *flamethrower* 
I just likened the facegrabber to 's laugh... my universe is too diverse. 
Ripley: Buttons pushed. Dials turned. Alarms activated. Ten minutes should be plenty of time to escape. Facegrabber: ehehehehehehe 
Black guy: Woman, get away from the facegrabber! Woman: Eep! Eww! *cries* Facegrabber: I kill you both now. Me: y'all are idiots.
OK, I love animals, but risking your life & that of two other people by looking for one damn cat is STUPID. 
Ripley: I prepare shuttle for leaving. Leaving good. Wait, did I hear the kitty meow? Must investigate. 
Ripley: You two go get us provisions. I'm going to stumble over my lines here. Ignore me and do as you're fucking told. 
Ripley: How do we kill the facegrabber? Ian Holm: Science says it's impossible. Science knows all. Science is better than people. 
Ripley: Talk, robot head. Ian Holm: Sorry, my mouth is still full of milk. *splargh* 
And now Bilbo is doing his impersonation of Nearly Headless Nick: Robot Edition. 
Ripley: So, team up, hunt the bitch down, and kill it. Ian Holm: I will smother you in the name of science and facegrabbing. 
I think Mother needs to hook up with Joshua from . They could play globalthermonuclearfacegrab. 
Facegrabber: Too late! You've been facegrabbed! n
Tom Skerritt: you know what? I'm a coward. Let me out. Please. Now. 

Tom Skerritt: Sorry I've been a shit captain. Ripley, lock me in the vents w/ a flamethrower & the facegrabber to die a hero's death.
It's raining blood! Harry Dean Stanton's blood! Oh, yeah! 
TURN AROUND YOU DAFT MOTHERFUCKER. 
Never go looking for a lost animal in the dark. Alone. Especially in a spaceship with a renegade facegrabber.  
Aww, they put the three semi-sensible people all on the same team. They need to even out the stupidity odds & kill one, apparently.

Ian Holm: look, I made a motion detector to find the facegrabber. Yay science? Everyone: emo stare. 
Thanks to , that dinner scene always reminds me of expectant parents. " is not REALLY about parenthood."
Black dude: facegrabber spawn insploded our mate! Kill it! Ian Holm: NO! SCIENCE! 
I love the cat just chill as can be in the background as everyone tries to keep John Hurt from exploding. 
Hoo boy. Here it comes. I probably should not have just eaten.
Everyone: How do you feel? John Hurt: like a facegrabbing alien shoved its seed down my throat. Can we go home? Everyone: SURE! 
Ripley: Kill the acid-spit facegrabber! Ian Holm: NO! SCIENCE! Tom Skerritt: Shut the hell up I just want to go home. 
Someone should do a horror attraction where facegrabbers jump out onto you. 
Ripley: Let's chat. Ian Holm: SCIENCE! BIOLOGY! Ripley: You let this acid-spitting facegrabber on the ship, asshole! 
Harry Dean Stanton has elected to do virtually nothing, which in these circumstances is not the worst idea. 
I think Ian Holm's MO was that he thought he'd be the only Brit on the ship & has been trying the whole time to get rid of John Hurt.
Tom Skerritt: we need to save John Hurt. Ian Holm: we need to save the facegrabber! 
So far only two people in this movie are acting rationally: Ripley and the black guy. And we haven't even gotten to the scares yet. 
Black guy: Why are we letting the facegrabber just hang out? Why don't we freeze it & John Hurt? Why didn't anyone listen to Ripley?
Ripley: If we break quarantine we could all die. Everyone Else: fuck you, bitch. Let us in. Ian Holm: I'm Bilbo! I do what I want! 
 egg: are you my mummy? *facegrab*
John Hurt: Are these dragon eggs? Dragon eggs under pretty mist in a deep, dark pit? Let's take some home! 
Ripley: Transmission looks like a warning. Should we... warn people? Ian Holm: Nope. Too late. If it's dangerous we're just screwed 
John Hurt: hey guys, come look in this creepy pit I just found! Only awesome stuff could be in here, right? 
It feels like Ian Holm is watching  with these tape blips. When's the invisible entity going to show up? 
Random shot of kitty is random. You're not fooling me by pretending everything's fine, Ridley. 
I miss the days when computer systems required a series of pretty lights to go off when they were working hard. 
Black man: we profiteers, not rescuers or explorers. No one: listens to him actually making sense. 
Wakey, wakey John Hurt. You've got a tough road ahead of you in this movie. 
Jerry Goldsmith, RIP. That man is a legend in both period adventure scores and horror/sci-fi. 
Although I haven't seen the theatrical cut in years, I'm going to go with the Director's Cut. Ridley calls them adjustments. 
 gave me a disc with options and special features? It's like they actually want to keep their customers or something. 
Live tweeting of . This is happening within the next few minutes. I apologize for the feed spam.  

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