"I am at a loss to conceive how a man should permit himself to write anything that would be truly disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man."
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

08 September 2014

No, really. All I want is to give a guy rapey thoughts about me in a Thor costume.

So today, Marvel entertainment is having a big sale on Amazon. Awesome, right? They’ve got toys and action figures and clothes for all.

Except when you click on women’s clothing, this is what you get.









Two suitcases, a pair of heels (for some reason I still don’t get) and five sexy superheros costumes. Five. And only one of them is for a female character (that’d be the last one: sexy lab girl, Gwen).

And the girls section? All costumes. For Black Widow, Spider Girl, and some of the male heroes (which are just boys’ costumes put in the girls’ category). Yeah, skin tight faux-leather catsuits for your five year old. Try sending her to school in that.

When sexism and misogyny in marketing and consumerism are discussed, this is exactly the kind of bullshit which exemplifies targeted anti-woman marketing. I don’t usually get on a gender podium, but this bothers the shit out of me. In an age where Marvel, a multi-billion dollar company who could hire whoever they want, market themselves however they want, who has fostered the development of amazing female characters in its films and comics, chooses to have the only available products on the number one online marketplace be tight-bodiced, short-skirted (likely poorly constructed) costumes of its male superheroes, it is literally screaming: WE DON’T WANT WOMEN IN OUR CLUB UNLESS THEY’RE SEX OBJECTS.

It may seem petty on a surface level, but what companies make commercially available to consumers has a direct effect on how that demographic is perceived. If you don’t make it, if you won’t sell it, we can’t buy it. So you use the excuse that girls don’t buy superhero merchandise unless its this incredibly sexist bullshit. That, in itself, is incredibly sexist bullshit.

Don’t tell me a Gamora or Nebula tee won’t sell when you won’t make one to test that theory.

Don’t tell people a Black Widow movie won’t make money when you won’t try making any female-led superhero film (since Elektra *weeps*), and when your Black Widow actress had a hit film this summer that basically involved her running around and being badass to a terrible hole-filled plot. People still came and it was pretty bad. Imagine if it were really good.

Don’t hide behind suits and corporate hullabaloo when it comes to shilling out merchandise. You want to know what consumers want? Try ASKING THEM. Try LISTENING TO THEM. Try NOT PURPOSELY ALIENATING AT LEAST 50% OF YOUR POTENTIAL BUYERS BECAUSE THEY DON’T HAVE PENISES.

24 July 2014

50 Shades of No Way in Hell

There's a trailer out for that movie now... that movie based on a series of atrociously written books with derivative Twilight-esque plot which has done more for the bondage sex toy industry than any other piece of pop culture in years, while simultaneously flaunting a horribly abusive relationship as healthy, sexy, and desirable.
So yeah, I'm biased. There was a part of me, however, my own masochistic-for-terrible-things side if you will, which thought that maybe, someday, I'd sit myself down and watch this atrocity. Once it's out on streaming/DVD of course, where the drinks are plenty, the pause button at the ready for vomit-inducing moments, and there is a decided lack of horny housewives surrounding me. Then I saw Jamie Dornan in The Fall.
For those unaware, The Fall is a Netflix series starring Gillian Anderson as a detective who comes to Belfast from England to run an internal/external investigation on the police force and, particularly, a murder inquiry regarding a young woman. The one young woman turns into several by the end of the series, all fitting a distinct aesthetic the killer finds appealing. That killer is Jamie Dornan, and in a rare turn for what could be an extended storyline for a basic procedural, it isn't just the view of the cops we get. We see the killer in his everyday life, as a grief counselor for parents of children who have died in tragic circumstances. We see him at home with his wife, a nurse, and young son and (quite possibly burgeoning psychopathic) daughter. We see him running, stalking, breaking into victims homes, fantasizing about them, and you know, eventually killing them. We see the aftermath; we see his family and his marriage crumbling. We see him nearly kill the babysitter when she finds a token from one of his kills (and her skin-crawling attraction to him even after this incident). We see him wink knowingly at his creepy daughter when she asks if they're driving past a murder scene. We see him as a fully fledged person, and as a killer. It's unsettling to say the least and genuinely terrifying at times. And it is masterfully done. This is all eerily similar to the kind of guy Christian Grey would be in real life (sans the obscene amount of money) as opposed to the demented fairy tale version that appears in print and, likely, on screen.
The first look we have of Jamie Dornan as Christian Grey in the trailer holds that same intensity and predatory look he gets when he's getting ready to murder women -- women who look eerily like the "50 Shades" girl, Ana.

This is my plea to women everywhere: If you still think the idea of Christian Grey is sexy and desirable, if you think having your own uncertainty ignored in favor of a man taking control of you and 'teaching' you to be his object is a positive portrayal of relationships, even if you just think the idea of a little bondage and fetishism in a mainstream movie is naughty in a good way, before you see 50 Shades of Grey, or pick up one of those books again, watch The Fall. Really watch it. Pay attention to how this man acts in public and in private. You may still see something appealing in Christian Grey afterwards, but hopefully at least some part of your brain will register the difference between poorly- written fantasy and a more grounded portrayal of what control-hungry men are really like.

13 October 2012

Facegrabbing Mother

Behind on book reviews, I know. I would blame being out of town enjoying life, stressing over submission deadlines, and fighting a nasty cold... but really: Northanger Abbey is just boring. I'm reminded of why I've never made it through this book before. I'm about thirty pages in and nothing interesting has happened. Nothing. There's beautiful prose assessing society and describing characters, but NOTHING has actually HAPPENED. I hate to give up, especially on Austen, but I am damn bored with this. I am, however, going to read The Vampyre because it actually is only about thirty pages. So look for that on Tuesday.

If book reviews aren't your thing, or you're desperate to read some of my stream of consciousness ramblings, look no further than the below: my live tweeting of watching Alien last night. Just scroll all the way down to the bottom of the entry and move up (I could have figured out how to do this chronologically but right now I'm just happy technology worked with me long enough to paste all the tweets -- we have not been friends this week).


This concludes the live tweeting of . Thank you for your patience. I kind of want to rent Aliens now...
SERIOUSLY?!? Did the cat hide in the hyper sleep pod when no one was looking? 
If the cat did not just die from science, I'm having words with Ridley Scott. 
How did I never realize Ripley was singing "You Are My Lucky Star"?!?  
Sorry, Ripley, but Eddie Dean kicked ass in a gunfight naked. You have forgotten the face of your father.  
Ripley: Convenient spacesuit is convenient. It would be highly un-feminist of me to kill this bitch in my undies. 
Me: How did the strobe lights start again? Facegrabber: They follow me everywhere. Be glad dubsteb doesn't as well. 
Ripley: Sexy undies make me breathe heavily... wait... no... Facegrabber: Stowaway! Ehehehehehehe! 
Ripley: It's ok, Kitty. We safe now. Kitty: Riiiiiiiight. Ripley: I'm just gonna strip for hyper sleep. 
Ripley: Look at the pretty explosion... again... and again... and again... sleepy now. 
Ripley: Time to run! Oh... KITTY! Let's go kitty. Only one minute left!
As far as atmosphere goes, this sequence is amazing. Long dark corridors. Bursts of steam. Strobing lights. Flamethrower. Alarms.
Ripley: Damnit, five minutes left. Not enough time. Mother, help me! Mother: You killed my robo-friend. Fuck you. 
Hey Ripley, you forgot you precious kitty. The facegrabber will now try to PETA your ass. 
Ripley: Time to escape... into the facegrabber's nest. Whoops. Tom Skerritt: kill... me... Ripley: No probs. *flamethrower* 
I just likened the facegrabber to 's laugh... my universe is too diverse. 
Ripley: Buttons pushed. Dials turned. Alarms activated. Ten minutes should be plenty of time to escape. Facegrabber: ehehehehehehe 
Black guy: Woman, get away from the facegrabber! Woman: Eep! Eww! *cries* Facegrabber: I kill you both now. Me: y'all are idiots.
OK, I love animals, but risking your life & that of two other people by looking for one damn cat is STUPID. 
Ripley: I prepare shuttle for leaving. Leaving good. Wait, did I hear the kitty meow? Must investigate. 
Ripley: You two go get us provisions. I'm going to stumble over my lines here. Ignore me and do as you're fucking told. 
Ripley: How do we kill the facegrabber? Ian Holm: Science says it's impossible. Science knows all. Science is better than people. 
Ripley: Talk, robot head. Ian Holm: Sorry, my mouth is still full of milk. *splargh* 
And now Bilbo is doing his impersonation of Nearly Headless Nick: Robot Edition. 
Ripley: So, team up, hunt the bitch down, and kill it. Ian Holm: I will smother you in the name of science and facegrabbing. 
I think Mother needs to hook up with Joshua from . They could play globalthermonuclearfacegrab. 
Facegrabber: Too late! You've been facegrabbed! n
Tom Skerritt: you know what? I'm a coward. Let me out. Please. Now. 

Tom Skerritt: Sorry I've been a shit captain. Ripley, lock me in the vents w/ a flamethrower & the facegrabber to die a hero's death.
It's raining blood! Harry Dean Stanton's blood! Oh, yeah! 
TURN AROUND YOU DAFT MOTHERFUCKER. 
Never go looking for a lost animal in the dark. Alone. Especially in a spaceship with a renegade facegrabber.  
Aww, they put the three semi-sensible people all on the same team. They need to even out the stupidity odds & kill one, apparently.

Ian Holm: look, I made a motion detector to find the facegrabber. Yay science? Everyone: emo stare. 
Thanks to , that dinner scene always reminds me of expectant parents. " is not REALLY about parenthood."
Black dude: facegrabber spawn insploded our mate! Kill it! Ian Holm: NO! SCIENCE! 
I love the cat just chill as can be in the background as everyone tries to keep John Hurt from exploding. 
Hoo boy. Here it comes. I probably should not have just eaten.
Everyone: How do you feel? John Hurt: like a facegrabbing alien shoved its seed down my throat. Can we go home? Everyone: SURE! 
Ripley: Kill the acid-spit facegrabber! Ian Holm: NO! SCIENCE! Tom Skerritt: Shut the hell up I just want to go home. 
Someone should do a horror attraction where facegrabbers jump out onto you. 
Ripley: Let's chat. Ian Holm: SCIENCE! BIOLOGY! Ripley: You let this acid-spitting facegrabber on the ship, asshole! 
Harry Dean Stanton has elected to do virtually nothing, which in these circumstances is not the worst idea. 
I think Ian Holm's MO was that he thought he'd be the only Brit on the ship & has been trying the whole time to get rid of John Hurt.
Tom Skerritt: we need to save John Hurt. Ian Holm: we need to save the facegrabber! 
So far only two people in this movie are acting rationally: Ripley and the black guy. And we haven't even gotten to the scares yet. 
Black guy: Why are we letting the facegrabber just hang out? Why don't we freeze it & John Hurt? Why didn't anyone listen to Ripley?
Ripley: If we break quarantine we could all die. Everyone Else: fuck you, bitch. Let us in. Ian Holm: I'm Bilbo! I do what I want! 
 egg: are you my mummy? *facegrab*
John Hurt: Are these dragon eggs? Dragon eggs under pretty mist in a deep, dark pit? Let's take some home! 
Ripley: Transmission looks like a warning. Should we... warn people? Ian Holm: Nope. Too late. If it's dangerous we're just screwed 
John Hurt: hey guys, come look in this creepy pit I just found! Only awesome stuff could be in here, right? 
It feels like Ian Holm is watching  with these tape blips. When's the invisible entity going to show up? 
Random shot of kitty is random. You're not fooling me by pretending everything's fine, Ridley. 
I miss the days when computer systems required a series of pretty lights to go off when they were working hard. 
Black man: we profiteers, not rescuers or explorers. No one: listens to him actually making sense. 
Wakey, wakey John Hurt. You've got a tough road ahead of you in this movie. 
Jerry Goldsmith, RIP. That man is a legend in both period adventure scores and horror/sci-fi. 
Although I haven't seen the theatrical cut in years, I'm going to go with the Director's Cut. Ridley calls them adjustments. 
 gave me a disc with options and special features? It's like they actually want to keep their customers or something. 
Live tweeting of . This is happening within the next few minutes. I apologize for the feed spam.  

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