"I am at a loss to conceive how a man should permit himself to write anything that would be truly disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man."

19 January 2011

I am The Doctor

This week, in the midst of work hell, a cold that will not die, and life just doing its best to kick my ass down in despair, I thank the maker for bestowing upon me musical goodness in the form of the two most recent Doctor Who soundtracks.
For those who think television scores do not equal their filmic counterparts, I urge you to listen to Christophe Beck's music from Buffy the Vampire Slayer (series 1-5) (and pretty much any composer who worked on a Joss Whedon series), or the music for Merlin the series, or Trevor Morris' first season music for The Tudors, or the compositions for Torchwood, but most of all I would refer you to Murray Gold's scores for all five(presently) series of Doctor Who. Each series has its own feel and tone to fit the season, and yet each one builds upon the last. The two most recent soundtracks reflect the final specials with David Tennant's tenth Doctor and the recent series with Matt Smith as Doctor the eleventh.

The two-disc specials soundtrack covers less episodic territory than previous albums, but more of the scope of each episode. The music follows each special in theme and style: the first two being mostly light and adventurous with a touch of sadness, the third much darker and chaotic, and the final two specials (on their own disc) culminating four years of this Doctor's life in an epic, exciting, painful, heartbreaking ride.
Also, anyone who has seen the end of "The End of Time" and does not need to fight the urge to sob at hearing Vale Decem has cobwebs where their soul should be.
Yet the Doctor moves on, as he always must, and following the regeneration the album concludes with starting music for the eleventh Doctor and the journey begins again.

As a new Doctor, with a new companion, the entire thematic composition of the music has changed and yet is still completely relatable to the show overall and fits magically and uniquely with this new series and its Doctor. The new Doctor is more excitable, quirkier, spastic and madder than his predecessor and the music reflects this; yet he still holds perhaps the greatest mind, the fearlessness and the might of a timelord. There's also a new sense of whimsy and mystery which he projects for his new companion, and his themes reflect this. Amy Pond's theme and style capture not only her alpha female attitude and youthful energy but the magic we see in here eyes as she discovers the universe in terms of traveling with the mad man with a box.

While this is all one giant love letter to Murray Gold, I do have to conclude by saying that of the two compilations, it's the series 5 soundtrack which makes my heart swell, the tears well and imagination thrive. Still, you can't really go wrong with any collection of tunes from the new Whoniverse.


  1. I <3 David Tennant! You've intrigued me. I shall have to investigate these soundtracks.

  2. Huzzah! They are really great soundtracks. Generally speaking I think they get better as time goes on so there's always something to look forward to once you've absorbed each soundtrack :)

    Oh yeah, and Tennant = deliciousness embodied.


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