I don’t pretend to be a comics expert. Honestly, my qualifier for such a term to bestow on anyone, with any subject, would put most ‘experts’ into the ‘I guess I know some stuff’ category. I’m definitely a novice with comics, particularly with immersing myself in the world. Too many alternate universes and reboots and timelines to keep track of, and really only a handful of characters I’ve found genuinely intriguing for more than an arc or two.
** Deadpool being a notable exception. Every damn thing I’ve read with him I love. I love freaking everything about that warped little psycho mercenary. **
Yet I do like that comics reinvent themselves to change with the times. My own brief reading encounters with the Young Avengers, and second-generation Bat brats, have highlighted some of these changes. These comics brought out more diversity and opened up older characters to a new generation by giving them faces closer to their own in age, looks, and interests (even if none of us will grow to be master sorcerers or the next supreme archer assassin).
Still, some notable longtime heroes are markedly without successors or pupils.
Granted, do you really want a younger version of Logan? Oh, the angst. Let’s not.
However, it occurred to me how odd it is that there’s no real successor yet for Tony Stark and Iron Man. In the age of the millennial, it seems more plausible than ever to have some cocky nineteen year old genius-billionaire-playboy-philanthropist running around. Some kid whose father is a European businessman (from Amsterdam or something) and mother is a push-to-over-achieve Asian woman (Indian or Japanese, possibly). A kid raised on worldwide culture in the age of the internet, who used his not insignificant allowance growing up to fund well-digging and Unicef missions in Africa. Who understands the value of giving back when you’re loaded, but still carries all the arrogance of a spoiled, rich, teenage genius. He blogs about social responsibility and takes selfies with the Jolie-Pitt clan, and funds medical research while absorbing information all the while. He creates and patents new desert irrigation systems, and works with NASA and Russian scientists on the concept of terraforming other planets. He also plays golf and polo, owns an animal sanctuary, and trains falcons.
Yet he’s stuck in permanent brat mode. He’s brilliant, but incredibly arrogant and narcissistic. He secretly admires the Avengers and what they do, but would never admit it because it might finally break the cracks in his logic -- that in order to be successful you have to be ruthless, and in order to be a hero you have to be selfless. He can’t marry the idea of being a genius billionaire and a hero.
Then, at some energy conference or whatever, he meets Tony Stark. He’s too full of himself to see Tony as a role model, but genius recognizes genius. They basically get into a philanthropic pissing contest, as Tony tries to impart on the kid how difficult it is to truly keep fighting the good fight for causes you claim to believe in if you never get your hands dirty -- literally. He challenges the kid to actually go to some of the villages he’s helped, and then to those he hasn’t. To visit hospitals where his research and funds have reached, and then military care centers where they haven’t. To literally walk a mile, or leagues, through areas untouched by technology and modernity as they both know it.
At this last the kid relents, curious and challenging. He’ll do it, if Tony does, too. They’ll organize a trip, on foot, through a section of rural Asia. The first one to cave and ask to find a real city with a nice hotel has to give a million dollars each to Unicef, cancer and AIDS research, a military veterans and family fund, and the space program. Tony grudgingly agrees.
They do make it a few weeks into the journey, learning a lot about each other, and life outside the bustle of the new millennium, and true charity. Of course Tony caves first, and the kid gives him hell for it. But once they’re settled in some swanky hotel in, like, Dubai, the kid admits he almost begged off the whole thing on day two and pledges to give money to the agreed causes as well. He then asks Tony what he plans to do when he can’t be Iron Man anymore. The out of the blue question floors Tony, and he barely has time to answer when he gets an emergency call. He takes the kid with him to Stark Tower and has him sit in on the meeting. Some crisis, need help, blah blah. Once everyone else is out of the room, Tony looks at the kid.
“You really want to know what I’m going to do when I can’t do this anymore?”
“Yeah.”
Tony takes off his wrist cuff and slaps it on the kid. “Find someone new to do it.”
Tony lets him in the suit for that mission, knowing it should be an easy one, and keeping control of the suit from Stark Tower virtually -- kind of like a driving instructor in a practice car. The kid is still shaky, but shows promise. He comes back wanting more, and Tony says no.
“Not until you’ve had that ego broken a few times, kid. You need to lose, and lose big, as yourself, before you lose in that suit, with that title. Get your heart broken. Go actually dig some of those wells, or build some of those third-world hospitals. Understand what it is you fight for when you put on the suit, what you represent, and what it costs when you fail. I’ll call you back from time to time, check in on you, get you some practice rounds, but you don’t get to be Iron Man until you fuck everything up and rebuild it from the start.”
“Is that really what you did?”
“Yup. And don’t think that one experience of it kept me from doing it again. Even geniuses can be idiots, and the more arrogant you are, the harder your fall will be. Still, sometimes you need to run before you walk, and if your face slams into the ground, you pick yourself up and learn how to fly.”
Wouldn’t that be cool?
"I am at a loss to conceive how a man should permit himself to write anything that would be truly disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man."
03 February 2015
08 September 2014
No, really. All I want is to give a guy rapey thoughts about me in a Thor costume.
So today, Marvel entertainment is having a big sale on Amazon. Awesome, right? They’ve got toys and action figures and clothes for all.
Except when you click on women’s clothing, this is what you get.
Two suitcases, a pair of heels (for some reason I still don’t get) and five sexy superheros costumes. Five. And only one of them is for a female character (that’d be the last one: sexy lab girl, Gwen).
And the girls section? All costumes. For Black Widow, Spider Girl, and some of the male heroes (which are just boys’ costumes put in the girls’ category). Yeah, skin tight faux-leather catsuits for your five year old. Try sending her to school in that.
When sexism and misogyny in marketing and consumerism are discussed, this is exactly the kind of bullshit which exemplifies targeted anti-woman marketing. I don’t usually get on a gender podium, but this bothers the shit out of me. In an age where Marvel, a multi-billion dollar company who could hire whoever they want, market themselves however they want, who has fostered the development of amazing female characters in its films and comics, chooses to have the only available products on the number one online marketplace be tight-bodiced, short-skirted (likely poorly constructed) costumes of its male superheroes, it is literally screaming: WE DON’T WANT WOMEN IN OUR CLUB UNLESS THEY’RE SEX OBJECTS.
It may seem petty on a surface level, but what companies make commercially available to consumers has a direct effect on how that demographic is perceived. If you don’t make it, if you won’t sell it, we can’t buy it. So you use the excuse that girls don’t buy superhero merchandise unless its this incredibly sexist bullshit. That, in itself, is incredibly sexist bullshit.
Don’t tell me a Gamora or Nebula tee won’t sell when you won’t make one to test that theory.
Don’t tell people a Black Widow movie won’t make money when you won’t try making any female-led superhero film (since Elektra *weeps*), and when your Black Widow actress had a hit film this summer that basically involved her running around and being badass to a terrible hole-filled plot. People still came and it was pretty bad. Imagine if it were really good.
Don’t hide behind suits and corporate hullabaloo when it comes to shilling out merchandise. You want to know what consumers want? Try ASKING THEM. Try LISTENING TO THEM. Try NOT PURPOSELY ALIENATING AT LEAST 50% OF YOUR POTENTIAL BUYERS BECAUSE THEY DON’T HAVE PENISES.
Except when you click on women’s clothing, this is what you get.
Two suitcases, a pair of heels (for some reason I still don’t get) and five sexy superheros costumes. Five. And only one of them is for a female character (that’d be the last one: sexy lab girl, Gwen).
And the girls section? All costumes. For Black Widow, Spider Girl, and some of the male heroes (which are just boys’ costumes put in the girls’ category). Yeah, skin tight faux-leather catsuits for your five year old. Try sending her to school in that.
When sexism and misogyny in marketing and consumerism are discussed, this is exactly the kind of bullshit which exemplifies targeted anti-woman marketing. I don’t usually get on a gender podium, but this bothers the shit out of me. In an age where Marvel, a multi-billion dollar company who could hire whoever they want, market themselves however they want, who has fostered the development of amazing female characters in its films and comics, chooses to have the only available products on the number one online marketplace be tight-bodiced, short-skirted (likely poorly constructed) costumes of its male superheroes, it is literally screaming: WE DON’T WANT WOMEN IN OUR CLUB UNLESS THEY’RE SEX OBJECTS.
It may seem petty on a surface level, but what companies make commercially available to consumers has a direct effect on how that demographic is perceived. If you don’t make it, if you won’t sell it, we can’t buy it. So you use the excuse that girls don’t buy superhero merchandise unless its this incredibly sexist bullshit. That, in itself, is incredibly sexist bullshit.
Don’t tell me a Gamora or Nebula tee won’t sell when you won’t make one to test that theory.
Don’t tell people a Black Widow movie won’t make money when you won’t try making any female-led superhero film (since Elektra *weeps*), and when your Black Widow actress had a hit film this summer that basically involved her running around and being badass to a terrible hole-filled plot. People still came and it was pretty bad. Imagine if it were really good.
Don’t hide behind suits and corporate hullabaloo when it comes to shilling out merchandise. You want to know what consumers want? Try ASKING THEM. Try LISTENING TO THEM. Try NOT PURPOSELY ALIENATING AT LEAST 50% OF YOUR POTENTIAL BUYERS BECAUSE THEY DON’T HAVE PENISES.
29 August 2014
A Change is Gonna Come...
OK, yesterday's pity party over. I just needed to get that out of my system.
A short while ago, I was directed to this short post regarding committing the first 90 minutes of your 'work day' to your passion project, for 90 days (allowing time for it to become habit, rather than a challenge to be met).
I started earlier this week doing what I need to get more 'real job' ducks in their proverbial row. I made it two days before I wanted to give up and cry. Because as necessary as this process is, it's incredibly tiresome to repeat day in and day out. However, the alternative (having my soul die bit by bit every day I'm in this dead-end job) is worse. So while it may not be my passion project, I'm not going to have passion for anything if I don't change the manner in which I spend a 'work day.' And yet...
After three days of reassessing and editing resumes and cover letters, submitting to new sites, applying for 30+ positions, I need a day off to actually live up to the challenge and work on my passion project: writing. As disorganized as my job search efforts had become, my writing is in an even worse state. The chaos of life and other distractions has left me with more unfinished projects and rough idea outlines of projects-to-be than ever before. The act of just writing escapes me. Planning and scheduling have become a joke, not for lack of desire or commitment, but due to the overwhelming fear that to finish something may only tick off that work as 'done' on a checklist and never go any farther.
I've become afraid of the force of my own imagination. I've had my inner puppy kicked so many times it hides in the corner now any time I call its name. The true point of the 'challenge' is to work on your passions first, and the rest of the work later, and the truth is I've been afraid to do so. There has to be a balance for me, in making job searches a passion project of sorts to improve every aspect of my life, not just the creative ones. However, spending too much time focusing on everything that isn't writing is what put me in this depressed slump in the first place. Thus, writing needs to be given priority in this scenario. Now that my resumes are more in order and I've joined more job sites, I'm relegating the job searches to two days/week. The other days are for writing. Period.
It's been a tough week, but a productive one. If it's done anything, it's exposed how easily I can focus on projects if given the freedom and allowance to do it -- and how sometimes you have to give permission for that freedom to yourself because you're the one holding you back.
A short while ago, I was directed to this short post regarding committing the first 90 minutes of your 'work day' to your passion project, for 90 days (allowing time for it to become habit, rather than a challenge to be met).
I started earlier this week doing what I need to get more 'real job' ducks in their proverbial row. I made it two days before I wanted to give up and cry. Because as necessary as this process is, it's incredibly tiresome to repeat day in and day out. However, the alternative (having my soul die bit by bit every day I'm in this dead-end job) is worse. So while it may not be my passion project, I'm not going to have passion for anything if I don't change the manner in which I spend a 'work day.' And yet...
After three days of reassessing and editing resumes and cover letters, submitting to new sites, applying for 30+ positions, I need a day off to actually live up to the challenge and work on my passion project: writing. As disorganized as my job search efforts had become, my writing is in an even worse state. The chaos of life and other distractions has left me with more unfinished projects and rough idea outlines of projects-to-be than ever before. The act of just writing escapes me. Planning and scheduling have become a joke, not for lack of desire or commitment, but due to the overwhelming fear that to finish something may only tick off that work as 'done' on a checklist and never go any farther.
I've become afraid of the force of my own imagination. I've had my inner puppy kicked so many times it hides in the corner now any time I call its name. The true point of the 'challenge' is to work on your passions first, and the rest of the work later, and the truth is I've been afraid to do so. There has to be a balance for me, in making job searches a passion project of sorts to improve every aspect of my life, not just the creative ones. However, spending too much time focusing on everything that isn't writing is what put me in this depressed slump in the first place. Thus, writing needs to be given priority in this scenario. Now that my resumes are more in order and I've joined more job sites, I'm relegating the job searches to two days/week. The other days are for writing. Period.
It's been a tough week, but a productive one. If it's done anything, it's exposed how easily I can focus on projects if given the freedom and allowance to do it -- and how sometimes you have to give permission for that freedom to yourself because you're the one holding you back.
28 August 2014
What Do You Mean No One Cares About My Problems?
Seriously. I'm awesome. At least I try to be. I work hard, especially doing the things I love. I even work hard doing things I don't love if they're necessary and/or I'm getting something useful from it. I may not work as hard, but my "getting by" with work is most people's excelling. That's not hyperbole, it's fact. If you look at my employment history, it's a clear cut distinction -- I work for you, I excel.
Except I can't seem to parlay that excellence into the fields that actually drive me. I keep excelling at doing stuff to just get by instead of excelling at what I know I'm meant to pursue.
But I forgot. No one cares. I'm one tiny speck of human dust among billions of other specks on this planet. Throwing pity parties for myself doesn't help me any more than it helps anyone else.
The issue is, as little as anyone else cares about my problems, they care the exact same amount about my abilities, talents, experience, knowledge, drive, passion, etc. How do you make your voice louder than others when no one cares what's being said? How do you stand out from the crowd when your number in the queue prevents you from being seen even when squinting into the distance? How do you go from excelling in a career that makes you hate yourself to excelling in a life calling?
Seriously, how?
Except I can't seem to parlay that excellence into the fields that actually drive me. I keep excelling at doing stuff to just get by instead of excelling at what I know I'm meant to pursue.
But I forgot. No one cares. I'm one tiny speck of human dust among billions of other specks on this planet. Throwing pity parties for myself doesn't help me any more than it helps anyone else.
The issue is, as little as anyone else cares about my problems, they care the exact same amount about my abilities, talents, experience, knowledge, drive, passion, etc. How do you make your voice louder than others when no one cares what's being said? How do you stand out from the crowd when your number in the queue prevents you from being seen even when squinting into the distance? How do you go from excelling in a career that makes you hate yourself to excelling in a life calling?
Seriously, how?
24 July 2014
50 Shades of No Way in Hell
There's a trailer out for that movie now... that movie based on a series of atrociously written books with derivative Twilight-esque plot which has done more for the bondage sex toy industry than any other piece of pop culture in years, while simultaneously flaunting a horribly abusive relationship as healthy, sexy, and desirable.
So yeah, I'm biased. There was a part of me, however, my own masochistic-for-terrible-things side if you will, which thought that maybe, someday, I'd sit myself down and watch this atrocity. Once it's out on streaming/DVD of course, where the drinks are plenty, the pause button at the ready for vomit-inducing moments, and there is a decided lack of horny housewives surrounding me. Then I saw Jamie Dornan in The Fall.
For those unaware, The Fall is a Netflix series starring Gillian Anderson as a detective who comes to Belfast from England to run an internal/external investigation on the police force and, particularly, a murder inquiry regarding a young woman. The one young woman turns into several by the end of the series, all fitting a distinct aesthetic the killer finds appealing. That killer is Jamie Dornan, and in a rare turn for what could be an extended storyline for a basic procedural, it isn't just the view of the cops we get. We see the killer in his everyday life, as a grief counselor for parents of children who have died in tragic circumstances. We see him at home with his wife, a nurse, and young son and (quite possibly burgeoning psychopathic) daughter. We see him running, stalking, breaking into victims homes, fantasizing about them, and you know, eventually killing them. We see the aftermath; we see his family and his marriage crumbling. We see him nearly kill the babysitter when she finds a token from one of his kills (and her skin-crawling attraction to him even after this incident). We see him wink knowingly at his creepy daughter when she asks if they're driving past a murder scene. We see him as a fully fledged person, and as a killer. It's unsettling to say the least and genuinely terrifying at times. And it is masterfully done. This is all eerily similar to the kind of guy Christian Grey would be in real life (sans the obscene amount of money) as opposed to the demented fairy tale version that appears in print and, likely, on screen.
The first look we have of Jamie Dornan as Christian Grey in the trailer holds that same intensity and predatory look he gets when he's getting ready to murder women -- women who look eerily like the "50 Shades" girl, Ana.
This is my plea to women everywhere: If you still think the idea of Christian Grey is sexy and desirable, if you think having your own uncertainty ignored in favor of a man taking control of you and 'teaching' you to be his object is a positive portrayal of relationships, even if you just think the idea of a little bondage and fetishism in a mainstream movie is naughty in a good way, before you see 50 Shades of Grey, or pick up one of those books again, watch The Fall. Really watch it. Pay attention to how this man acts in public and in private. You may still see something appealing in Christian Grey afterwards, but hopefully at least some part of your brain will register the difference between poorly- written fantasy and a more grounded portrayal of what control-hungry men are really like.
So yeah, I'm biased. There was a part of me, however, my own masochistic-for-terrible-things side if you will, which thought that maybe, someday, I'd sit myself down and watch this atrocity. Once it's out on streaming/DVD of course, where the drinks are plenty, the pause button at the ready for vomit-inducing moments, and there is a decided lack of horny housewives surrounding me. Then I saw Jamie Dornan in The Fall.
For those unaware, The Fall is a Netflix series starring Gillian Anderson as a detective who comes to Belfast from England to run an internal/external investigation on the police force and, particularly, a murder inquiry regarding a young woman. The one young woman turns into several by the end of the series, all fitting a distinct aesthetic the killer finds appealing. That killer is Jamie Dornan, and in a rare turn for what could be an extended storyline for a basic procedural, it isn't just the view of the cops we get. We see the killer in his everyday life, as a grief counselor for parents of children who have died in tragic circumstances. We see him at home with his wife, a nurse, and young son and (quite possibly burgeoning psychopathic) daughter. We see him running, stalking, breaking into victims homes, fantasizing about them, and you know, eventually killing them. We see the aftermath; we see his family and his marriage crumbling. We see him nearly kill the babysitter when she finds a token from one of his kills (and her skin-crawling attraction to him even after this incident). We see him wink knowingly at his creepy daughter when she asks if they're driving past a murder scene. We see him as a fully fledged person, and as a killer. It's unsettling to say the least and genuinely terrifying at times. And it is masterfully done. This is all eerily similar to the kind of guy Christian Grey would be in real life (sans the obscene amount of money) as opposed to the demented fairy tale version that appears in print and, likely, on screen.
The first look we have of Jamie Dornan as Christian Grey in the trailer holds that same intensity and predatory look he gets when he's getting ready to murder women -- women who look eerily like the "50 Shades" girl, Ana.
This is my plea to women everywhere: If you still think the idea of Christian Grey is sexy and desirable, if you think having your own uncertainty ignored in favor of a man taking control of you and 'teaching' you to be his object is a positive portrayal of relationships, even if you just think the idea of a little bondage and fetishism in a mainstream movie is naughty in a good way, before you see 50 Shades of Grey, or pick up one of those books again, watch The Fall. Really watch it. Pay attention to how this man acts in public and in private. You may still see something appealing in Christian Grey afterwards, but hopefully at least some part of your brain will register the difference between poorly- written fantasy and a more grounded portrayal of what control-hungry men are really like.
15 July 2014
Weirdus Interruptus
Today's standard post will be replaced by the new "Weird Al" video, because... well. He kind of says it all.
02 July 2014
Haunted by the Signs
One of these days I'll stop harping on about life's little (or not so little) signs and get on to more exciting things like anti-hero worship, purple shirts of sex, hand porn, netflixing your time away and more (really, I have a list). However, the reason for my day skip in posting schedule happened because I was a bit taken aback by something that occurred yesterday.
Understatement -- I came thiiiiiiis close to having a mini breakdown.
See, it's all well and good when you're on the lookout for signs during life, and when you're getting encouraging nudges to certain things. It's kind of empowering to feel like your current situation of being trapped in a soul-sucking job that barely pays your bills is not the right choice for you, because YOU say it isn't, and life is encouraging you in fits and starts to seek out other possibilities.
It's not so refreshing when the universe slaps you in the face with just how out of place you are.
Imagine you're living in a home and the home is, potentially, haunted. You feel uneasy there. Just being in that environment drains you. It's kind of a nebulous feeling and you're constantly uncomfortable and stressed. Occasionally the furniture rearranges itself and you're deeply unsettled, but you take the oddly stacked chairs off the table and move on with your day. You can't afford to move, but you're looking at other places nonetheless. You're trying to make a plan of escape, but it might take awhile. Then, one morning, out of the blue, you hear a voice. You don't just hear it, there's an apparition with it. A spectral presence with only slight transparency comes right up to you, inches from your face, looks you right in the eye, and says, "GET OUT."
That, in essence is what happened to me yesterday. At my job.
Needless to say I didn't need any coffee after that encounter -- I was shocked into alertness. And then I panicked. And then I got angry. And then I tried to once again look at the wreckage this poltergeist has made of my life and tried to put some logical reasoning in place. There was a fair amount of denial and bargaining internally with what I saw and heard. So by the end of the day I wasn't good for much beyond going home, facebooking, twittering, and Netflixing.
Today is a new day, however. The presence has made itself known loud and clear and I don't intend to ignore it. I'm getting out. Soon.
But I'm still going to do it on my terms -- no matter how many times you rearrange my furniture or drag me towards the abyss of the TV.
Understatement -- I came thiiiiiiis close to having a mini breakdown.
See, it's all well and good when you're on the lookout for signs during life, and when you're getting encouraging nudges to certain things. It's kind of empowering to feel like your current situation of being trapped in a soul-sucking job that barely pays your bills is not the right choice for you, because YOU say it isn't, and life is encouraging you in fits and starts to seek out other possibilities.
It's not so refreshing when the universe slaps you in the face with just how out of place you are.
Imagine you're living in a home and the home is, potentially, haunted. You feel uneasy there. Just being in that environment drains you. It's kind of a nebulous feeling and you're constantly uncomfortable and stressed. Occasionally the furniture rearranges itself and you're deeply unsettled, but you take the oddly stacked chairs off the table and move on with your day. You can't afford to move, but you're looking at other places nonetheless. You're trying to make a plan of escape, but it might take awhile. Then, one morning, out of the blue, you hear a voice. You don't just hear it, there's an apparition with it. A spectral presence with only slight transparency comes right up to you, inches from your face, looks you right in the eye, and says, "GET OUT."
That, in essence is what happened to me yesterday. At my job.
Needless to say I didn't need any coffee after that encounter -- I was shocked into alertness. And then I panicked. And then I got angry. And then I tried to once again look at the wreckage this poltergeist has made of my life and tried to put some logical reasoning in place. There was a fair amount of denial and bargaining internally with what I saw and heard. So by the end of the day I wasn't good for much beyond going home, facebooking, twittering, and Netflixing.
Today is a new day, however. The presence has made itself known loud and clear and I don't intend to ignore it. I'm getting out. Soon.
But I'm still going to do it on my terms -- no matter how many times you rearrange my furniture or drag me towards the abyss of the TV.
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Please don't kill me giant demon, I wanna be in the sequel! |
24 June 2014
Following Some Signs
I once wrote a post about there being no map for life, no real signposts that tell you where to go, what to do, how to adult, or why schools don't teach practical skills along with other 'necessary' knowledge. While I still hold to that, and the concept of needing to learn how to read and follow your own life because it will always differ from everyone else's life on the planet, I do acknowledge that sometimes the universe sends you tiny messages sprinkled across time to somehow encourage or discourage certain courses. The key is you have to be open to receiving those messages, and you have to be in a constant state of observation regarding yourself and your life -- a thing which is not easy to maintain.
However, sometimes those little messages don't bother with much subtlety. Sometimes the signs aren't a leaf blowing past you on a cool morning, making you think of times past and inspiring you to start a story you've been mulling over for months. Sometimes the signs are someone walking in the door and saying, "I had coffee with someone today who's looking to fill a position and you should write to them now. Right now." Sometimes you're contemplating your current structure and if it's working, and if your deadlines are realistic, and if you're too overwhelmed with projects, and then a string of online articles across various social media slaps you in the face with tips you didn't even know you wanted and you surmise, for a few brief moments, that The Universe is supporting you in a very small way.
And sometimes you're not in the mood to write a blog post because the list of ideas you have for posts just isn't speaking to you today, and then you become inspired anyway because of life's little road signs.
For this moment, right now, something in The Universe seems to be pushing me ahead down a path. Not sure what the path is exactly, or where it leads, or how long it'll take to reach a destination, but I'm open to pursuing it, and sometimes just putting one foot in front of the other and keeping an eye on the world around you is the best you can do.
Well, that and sending your resume off immediately when someone tells you to.
However, sometimes those little messages don't bother with much subtlety. Sometimes the signs aren't a leaf blowing past you on a cool morning, making you think of times past and inspiring you to start a story you've been mulling over for months. Sometimes the signs are someone walking in the door and saying, "I had coffee with someone today who's looking to fill a position and you should write to them now. Right now." Sometimes you're contemplating your current structure and if it's working, and if your deadlines are realistic, and if you're too overwhelmed with projects, and then a string of online articles across various social media slaps you in the face with tips you didn't even know you wanted and you surmise, for a few brief moments, that The Universe is supporting you in a very small way.
And sometimes you're not in the mood to write a blog post because the list of ideas you have for posts just isn't speaking to you today, and then you become inspired anyway because of life's little road signs.
For this moment, right now, something in The Universe seems to be pushing me ahead down a path. Not sure what the path is exactly, or where it leads, or how long it'll take to reach a destination, but I'm open to pursuing it, and sometimes just putting one foot in front of the other and keeping an eye on the world around you is the best you can do.
Well, that and sending your resume off immediately when someone tells you to.
17 June 2014
Only 41(ish) weeks until my next fix...
And I do mean fix. Like a drug. A horrible, abusive drug that I wish I could quit because the highs it used to bring me have dwindled to a scene or two per episode while I spend the rest of the time reaching my hands toward my television, repeating in agonized tones, "What the hell is going on? What are you doooooiiiing?!?"
This, is "Game of Thrones" withdrawal for an avid reader of A Song of Ice and Fire.
Full disclosure, I've only read through the entire series twice. I have read A Game of Thrones and A Clash of Kings three times now, and the Dunk & Egg tales thrice as well. I'm aware there are people who have read these books far more than I have (most of these wonderful people helped create and maintain sites like Tower of the Hand and the ASOIaF wiki) -- there's also a ton of people who don't reach my level of knowledge on book lore. I'm not here to school you all on that, and risk lots of spoilers in the process. I'm here to talk about addiction to something you know is not going to satisfy you.
They got their claws in fast and deep, HBO did. They crafted the first season of this show in such a way as to allow both the newly initiated and the casual reader to view and enjoy without innumerable changes to the source material. Then came season two, and the eyebrows started to rise. Then came season three, where some sequences lulled you into a false sense of believing things might even out again while somewhere in the back of your mind you knew this wouldn't be possible. Then season four... and not only are you wondering if you've even read the same books as the show's creators, you're questioning your sanity. Because as much as you rant and rail and are constantly appalled by the character assassinations and rapes (both literal and figurative) in the show, you keep watching -- not because you're invested. No. You're addicted, and that is far worse. It's worse because you know in your moments of lucidity that all the joy you once felt has turned into morbid curiosity about which one or two scenes they might get right in this episode. The anticipatory rush you feel when Sunday rolls around turns into rocking on your heels in the corner, staring at a clock until the hour arrives for you to jack in to your viewing.
The magic and wonder has been replaced with an empty, aching need, accompanied after viewing by a hunger for something better, something more deserving of your passionate pleas for great storytelling and dynamic characters and motherfucking ice zombies who are just ice zombies with no explanation of where they come from or what they want beyond the destruction of humanity. Yet this is all you have. You don't have the show, the show has you -- and you know it always will. So you grumble, you sigh, and you set up your countdown widget until next season, absentmindedly tapping veins in your arm every Sunday evening until your drug feeds you again. Winter is coming, but not for a long while...
This, is "Game of Thrones" withdrawal for an avid reader of A Song of Ice and Fire.
Full disclosure, I've only read through the entire series twice. I have read A Game of Thrones and A Clash of Kings three times now, and the Dunk & Egg tales thrice as well. I'm aware there are people who have read these books far more than I have (most of these wonderful people helped create and maintain sites like Tower of the Hand and the ASOIaF wiki) -- there's also a ton of people who don't reach my level of knowledge on book lore. I'm not here to school you all on that, and risk lots of spoilers in the process. I'm here to talk about addiction to something you know is not going to satisfy you.
They got their claws in fast and deep, HBO did. They crafted the first season of this show in such a way as to allow both the newly initiated and the casual reader to view and enjoy without innumerable changes to the source material. Then came season two, and the eyebrows started to rise. Then came season three, where some sequences lulled you into a false sense of believing things might even out again while somewhere in the back of your mind you knew this wouldn't be possible. Then season four... and not only are you wondering if you've even read the same books as the show's creators, you're questioning your sanity. Because as much as you rant and rail and are constantly appalled by the character assassinations and rapes (both literal and figurative) in the show, you keep watching -- not because you're invested. No. You're addicted, and that is far worse. It's worse because you know in your moments of lucidity that all the joy you once felt has turned into morbid curiosity about which one or two scenes they might get right in this episode. The anticipatory rush you feel when Sunday rolls around turns into rocking on your heels in the corner, staring at a clock until the hour arrives for you to jack in to your viewing.
The magic and wonder has been replaced with an empty, aching need, accompanied after viewing by a hunger for something better, something more deserving of your passionate pleas for great storytelling and dynamic characters and motherfucking ice zombies who are just ice zombies with no explanation of where they come from or what they want beyond the destruction of humanity. Yet this is all you have. You don't have the show, the show has you -- and you know it always will. So you grumble, you sigh, and you set up your countdown widget until next season, absentmindedly tapping veins in your arm every Sunday evening until your drug feeds you again. Winter is coming, but not for a long while...
15 June 2014
The Blog Has Risen
Whenever I return to a blog after a long absence, I feel the need for two things:
1) To exclaim, "I'm not dead yet," like that plucky old man in Monty Python and the Holy Grail.
2) To offer up explanations for my absence, even if no one cares because I feel obligated to give reasons for what really comes down to either: I've been busy and told myself doing this blog wasn't productive (which is a lie), or I've been caught up in my own mind in a manner that kept me from doing what I want and need to do in favor of engaging that monster of Depression and letting it win for a while (which is very true, and not an excuse, but a reason -- sadly).
What really matters is that I'm back, and to anyone still paying attention to my little corner of the internet, thanks for sticking around. I've got a plan and a schedule to resume posts shortly (as in this week), so tell your friends (internet or IRL ones, or both) to watch this space for updates soon.
1) To exclaim, "I'm not dead yet," like that plucky old man in Monty Python and the Holy Grail.
2) To offer up explanations for my absence, even if no one cares because I feel obligated to give reasons for what really comes down to either: I've been busy and told myself doing this blog wasn't productive (which is a lie), or I've been caught up in my own mind in a manner that kept me from doing what I want and need to do in favor of engaging that monster of Depression and letting it win for a while (which is very true, and not an excuse, but a reason -- sadly).
What really matters is that I'm back, and to anyone still paying attention to my little corner of the internet, thanks for sticking around. I've got a plan and a schedule to resume posts shortly (as in this week), so tell your friends (internet or IRL ones, or both) to watch this space for updates soon.
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